Arturo Soto was born in 1981 in Ciudad Juárez, Mexico. He has published the photobooks In the Heat (2018) and A Certain Logic of Expectations (2021). Soto holds a PhD in Fine Art from the University of Oxford, an MFA in Photography from the School of Visual Arts in New York, and an MA in Art History from University College London. He curated the exhibition Foreign Correspondence at the Architectural Association and took part in the first edition of Forecast Platform at the Haus der Kulturen der Welt.
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The Candid Frame #553 - Alejandro Cartagena
Alejandro Cartagena, Mexican (b. 1977, Santo Domingo, Dominican Republic) lives and works in Monterrey, Mexico. His projects employ landscape and portraiture as a means to examine social, urban and environmental issues.
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The Candid Frame #508 - Francisco Alcala
Francisco Alcalá is a humanitarian and travel photographer with a focus on social and cultural documentaries. The images that he creates are positive, visually compelling and with profound meaning that reflects his artistic sensibility and his great respect for people independently of origin, genre, or socioeconomic level. He founded the Home Storytellers that produces multimedia content for NGOs working with refugee populations.
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The Candid Frame #440 - Harvey Stein
Harvey Stein is a professional photographer, teacher, lecturer, author and curator based in New York City.
He currently teaches at the International Center of Photography and has taught in several undergraduate and graduate photography programs in the past. Stein is a frequent lecturer on photography both in the United States and abroad. His latest book is Mexico: Between Life and Death.
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photo: Keith Dannemiller
The Candid Frame #341 - Keith Dannemiller
Keith Dannemiller was born and raised in Ohio (US). He graduated with a degree in Biochemistry from Vanderbilt University and worked in this field for three years before turning to photography.
He left for Mexico 29 years ago and is going to stay. Specializing in documentary photography, his works have been published in Stern, Al Jazeera America, Der Spiegel, Newsweek, The Nation, Fusion, The Intercept, Financial Times, and The Guardian.
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photo: Yvonne Venegas
The Candid Frame #324 - Yvonne Venegas
As the daughter of a wedding photographer, Yvonne Venegas’ work emerges from a reflection of portraiture charged by an analysis of social class and self-representation, particularly that of the Mexican upper middle class. She is interested in problematizing the idea of the perfect or official memory, by seeking moments of fragility or un-preparedness for the camera. Inhabited by upper middle-class social rituals, ideas of celebrity and beauty, upper class leisure, animals from a private zoo, beauty queens, or young wealthy children, she seeks to represent a fractured version of the images and situations that are traditionally understood to bring status and/or respect. Her experience growing up in the border has established in the way she views her subjects as well as the photographic practice itself, where she constantly looks for blurring lines between portraiture and documentary as well as explores the pulsating space between the perfect image and one that social studio photography could consider an error.
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photo: Cristina Mittermeier
The Candid Frame #315 - Cristina Mittermeier
Cristina Mittermeier (born Cristina Sofía Goettsch Cabello: November 26, 1966 in Mexico City, Mexico) is a photographer. She has coauthored books for popular and scientific audiences, as well as scientific papers and magazine articles. She is founder, former President, and a Fellow of the International League of Conservation Photographers.
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The Candid Frame #203 - James Carbon
James Carbone’s life is a study of cultures that’s expressed through his passion for photography. Carbone was born in Los Angeles, Calif. From an early age Carbone read through the books of great photographers: Henri Cartier-Bresson, Robert Frank, Mary Ellen Mark. “Seeing all those great images started my obsession with photography,” Carbone says.
For the past ten years Carbone has studied under Mary Ellen Mark, a world-renown documentary photographer. The two started working together at Rockport College in Maine and have continued at Pacific Center Northwest in Seattle and El Centro Fotografico Manuel Alvarez Bravo Center in Oaxaca, Mexico. Since 2000, he has documented the day-to-day life of the Lopez family, pepenadores (literally “sorters”) who struggle to survive by scavenging plastic bottles in a garbage dump. He is currently collecting the photos for an upcoming book.
His work continues with a chain of newspapers and magazines in Los Angeles and in the San Bernardino Counties. In every picture, Carbone uses composition to interpret reality and capture it in an image that resonates with his audience. “Every time I shoot I try to create an instant connection,” Carbone said. “I like to get close to people. When I’m right next to them, there’s a connection. They trust me, and that’s how I can build a really true image of their humanity.” You can find out more about James and his work by visiting his website.
James Carbone recommends the work of Mary Ellen Mark. Listen to our interview with Mary Ellen Mark by clicking here.
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